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Aww, this is sad, but at the same time, at least she's now at peace. Dementia is a horrible illness.
Fawlty Towers was brilliant. I enjoyed watching her and Timothy West in Great Canal Journeys too.
RIP to a great actor.
Made some exceptional films. Some of my all-time favourites were Jeremiah Johnson, Butch Cassidy and the Sundance Kid, Brubaker, The Natural, The Last Castle, The Sting, and A Bridge Too Far.
I appreciate your thoughtful exploration of the classic versus modern film debate, Tom. It's a rich topic that touches on both subjective tastes and broader cultural shifts. Let's delve a little deeper into both sides of this ongoing discussion.
Classic Films: The Timeless Treasures
Classic films certainly have an enduring allure, and your examples are spot on. Movies like Casablanca and Citizen Kane are not only monumental in terms of their narrative and stylistic innovations for their time, but they also reflect the social and political environments of their eras. These films often tackle universal themes—such as love, loss, ambition, and morality—that remain relevant today. Their dialogue, rich character development, and cinematic techniques laid foundational stones for the film industry that continue to inspire modern filmmakers.
Moreover, watching classic films can provide a cultural education, offering insights into historical contexts that shaped the narratives. Film buffs often embrace this exploration as a way to connect with cinema as an art form rather than merely entertainment. The meticulousness of the filmmaking process in classic cinema, often characterized by practical effects and a reliance on strong performances, can offer a different kind of authenticity that resonates with viewers looking for depth.
Modern Films: Innovation and Representation
On the flip side, modern films are indisputably reshaping the cinematic landscape. The technological advancements you've mentioned—especially in visual effects and sound design—have allowed filmmakers to create experiences that were once unimaginable. Films like Avengers: Endgame not only showcase jaw-dropping visuals but also explore diverse narratives that reflect current societal challenges, from mental health to social justice and identity.
The rise of streaming platforms has also democratized access to film, allowing independent filmmakers a platform to tell their stories without the limitations often imposed by traditional studio systems. This fosters a diverse range of voices and stories that reflect a broader spectrum of human experience. Modern films often push boundaries in representation and thematic exploration—issues like race, gender, and sexuality are more frequently at the forefront, making these stories relatable to contemporary audiences.
Ultimately, It’s Subjective
As you rightly pointed out, the quality of a film isn't determined solely by its vintage. There are hidden gems among both classic and modern cinema that may resonate deeply with individual viewers for various reasons. The emotional connection one feels with a film can transcend time periods; while some might find solace in the nostalgia of classics, others may derive inspiration from the innovative narratives of today.
In my case, I find myself straddling both worlds. I love revisiting classics—they often provide a wealth of artistic merit that’s hard to find elsewhere. Yet, I also look forward to the latest releases, eager to see how filmmakers are pushing the envelope and representing stories that resonate with my own experiences. Finding that balance enriches my overall cinematic experience.
So I would love to hear how others feel—whether you lean more towards the artistry of the past, the excitement of the present, or perhaps a blend of both! What draws you into a film, regardless of its era?
She's fantastic. Her Summer Carnival Tour last year was the best concert I've ever seen. So much energy. Love her.
I wish she would release an acoustic album.
The advert where there is a mouth screaming on some guys forehead. I think it's for chewing gum.The advert annoys me so much, that I am not even sure what it's for.
It drives me mad :LOL:.
I think my favourite personal mishearing was Toto’s Africa. I used to think the line was “I left my brains down in Africa” instead of “I bless the rains down in Africa.”
I remember watching the Osbournes on TV years ago and wondering then how he was alive.
You can’t deny he was off the radar and lived on the edge.
He was however, the frontman of a group that blew the music scene apart and set off a new genre of music that has never looked back.
A True Legend.
One of the best ones was The Smoking Man in The X-Files. He was sinister in that Cold War, conspiracy-theory kind of way you remember from old films and books. He wasn’t flashy - he was patient, silent, and always pulling strings from the shadows. You never really knew who he was working for or what he wanted, and that ambiguity made him powerful.
From the snippets I've heard from their opening night in Cardiff they actually sounded good. I remember hearing Liam performing during that AJ fight and he sounded terrible and thought this would be a major letdown but fair play!
I've not seen any of the Glastonbury footage yet but Olivia Rodrigo is superb.
I always think the 'tiny desk' concerts give a good idea of whether a band or artist has genuine talent.
She has it in spades.
Interesting topic. For me, the violence on TV feels more personal. With a movie, you're dropped into a story, and whatever violence happens is typically part of a rapid build-up and resolution. But TV shows take their time. You get to know the characters. You invest emotionally. So when something terrible happens—say, a major death or betrayal - it hits differently.
Take Breaking Bad, for example. It doesn't rely on constant gore, but the emotional violence and the moral decay are intense. I still remember how shaken I felt after certain episodes. The show gradually twisted your perspective until the violence seemed inevitable, even justified. That’s a very different experience from an action film.
Yes, I totally agree with this. We recently watched Lioness, and every other word was swearing.
Fantastic actor. He was brilliant in Tombstone, The Doors, Heat, Top Secret, and obviously Top Gun. After his throat cancer diagnosis he hadn't looked healthy for years so it's not a huge shock but very sad nonetheless.
I'm not a huge Bond fan but I watch the films eventually. The only reason Bond has "succeeded" thus far has been its scarcity if they start flooding the platform with spin-offs and films it will fail and turn out like the Star Wars franchise under Disney.
Most Harlan Coben adaptations - the most recent one (I can't remember what it's called, "Missing You" or something like that) had such a ridiculous opening sequence that I found it difficult to struggle on with it.
1973
Pink Floyd - Dark Side of the Moon
The Who -Quadrophenia
Mike Oldfield - Tubular Bells
Marvin Gaye - Let's Get It On
Black Sabbath - Sabbath Bloody Sabbath
Queen - Queen
Billy Joel - Piano Man
ELO - On The Third Day
David Bowie - Aladdin Sane
Lou Reed - Berlin
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